Director: Sawashima Tadashi
Year: 1965 (I think)
Hibari Misora was nearing the end of her film career when this was made in 1965 even though she was to go on for many more years as a popular singer until her death in 1989. Japanese film was going through major changes by the mid-1960’s in terms of subject matter, graphic depiction of violence and sex and a much more realistic razor sharp critical look at society, but none of that makes an appearance in this old-fashioned period confection. The filmmakers throw in a little bit of everything from samurai sword slashing to ghosts that turn into snakes to betrayal to love and this being a Hibari Misora film, a few colorful musical numbers. It is all rather fun and fast moving with a convoluted plot that jumps around like it is walking barefoot on hot embers.Hibari plays Oshima, a singer in a travelling troupe of entertainers who has a love for saki (as did Hibari) and so confesses to a passing samurai (Ittosai) that wine will be her downfall. The samurai and the singer part ways, she to catch up with her troupe, he to go to Karasuyama where trouble is brewing. The troupe and the trouble are soon to intersect and much grief is to follow. In Karasuyama, the brutish son of the Conciliator of this domain kills the owner of a restaurant in a drunken rage and the son of the owner, Sentaro (Hayashi Yoichi), in return revenges his father with a swift cut to the throat. He has to quickly flee leaving his sister Suga to care for the restaurant. A country wide manhunt is soon under way for Sentaro but he finds refuge with Oshima and the troupe and is soon her leading man in more ways than one.
Things seem idyllic for a while and Karasuyama far away but events bring Sentaro home for further revenge where he meets Princess Koto, who is also played by Hibari but oddly no one notices the resemblance and this peculiar plot point is never brought into play. Maybe they were just saving money. But more of Hibari is never a bad thing. The only disappointment really is that other than a montage of musical numbers (shown below) there is no more. What they do have though is rather fun and far from traditional for that time period. More MGM than Meiji. Hibari starred in over 160 movies from 1949 to 1971 but her films slowed to a crawl from 1965 on. I would guess that personal problems, exhaustion and the changing nature of Japanese movies had much to do with her pull back from films as she was still only in her early 30’s. Since I can’t really find any information on this film or see it even listed on a few of her filmographies, I don’t imagine it has much of a reputation but I quite enjoyed it.
This film is available with English subs only on the gray market as far as I know.